SUMMER 2025 FILM
COMPETITION REVIEWS
IN ALPHABETICAL ORDER

NEFARIOUS
​MICHAEL O'BERNICIA

Michael O'Bernicia's Nefarious arrives two decades after its capture on digital video, emerging from the vaults like a time capsule of pre-financial crisis anxieties. Shot for £17,000 across seventeen non-consecutive days in 2005, this Anglo-Dutch road thriller transforms budgetary constraint into visual poetry. The grain of early digital video, once a limitation, now functions as aesthetic armor, lending the proceedings a documentary urgency that recalls the Dogme 95 movement while anticipating Nicolas Winding Refn's neon-noir sensibilities.

At its center, Kim Bodnia—stepping into shoes originally fitted for Christopher Walken—delivers a masterclass in criminal ennui as Michael Elkiar, Europe's premier cocaine importer facing existential dissolution. Bodnia inverts his Pusher menace into something more insidious: bourgeois malaise. His Elkiar is Camus's Meursault reimagined as a suburban drug lord, mechanically maintaining empire while his soul quietly hemorrhages. The parallel narrative of small-time dealers Lez and Billy (Conor Woodman and Spek) functions as both cautionary tale and nostalgic elegy, their Amsterdam coffeeshop dreams spiraling into hallucinogenic tragedy that mirrors Elkiar's domestic collapse.

O'Bernicia's screenplay excavates drug prohibition's hypocrisies with surgical precision, constructing a universe where karma operates as inexorably as market forces. The handheld Amsterdam sequences evoke Run Lola Run's anarchic energy filtered through Antonioni's existential dread, while the climactic showdown at Cowgreen Reservoir transforms British countryside into Greek tragedy. What elevates this beyond genre exercise is its profound empathy for characters trapped within systems of their own making—Elkiar's marital crisis unfolds with Bergmanesque devastation while Lez and Billy's doomed friendship channels Withnail and I for the MDMA generation.

The film's treatment of masculinity feels particularly prescient: men undone not by external forces but by emotional inarticulacy, finding expression only through violence and intoxication. O'Bernicia stages their unraveling with the tonal complexity of Mike Hodges's Get Carter, mixing dark comedy with genuine pathos. The remastered soundtrack adds temporal vertigo, its contemporary landscape clashing productively with mid-2000s digital aesthetics to create a dreamlike meditation on time's circular nature.

Nefarious emerges as that rarest creature: genuinely independent cinema using limitation as liberation. Its twenty-year gestation has transformed zeitgeist capture into universal meditation—a Sisyphean exploration of survival's price in a world where everything, including redemption, is commodified. The final image, pregnant with dramatic irony, suggests there are no clean exits in the economy of crime, only varying degrees of collateral damage. O'Bernicia has delivered a retro-cult classic that feels both utterly of its time and urgently contemporary.

BURDEN
JAMES NANNEY JR.

"Burden" is a poignant and moving mid-length film that offers a deep exploration of the physical and mental wounds carried by a Vietnam War veteran upon his return home. Directed by James Nanney Jr, a graduate of the Los Angeles Film School and a combat veteran himself, this film stands as a testament to the potential and promise of a new voice in cinema.

The narrative centers on Jethro Miles, portrayed by Mike Silva, who struggles to reintegrate into civilian life while coping with the scars of war. The film delves into themes of heroism, trauma, and the haunting nature of combat experiences. As Jethro navigates the challenges of his post-war existence, the story reveals the profound impact of his past on his relationships and his sense of self.

James Nanney Jr brings a unique and authentic perspective to "Burden," informed by his own military service and experiences in Afghanistan. His direction is marked by a sensitive and empathetic approach to the subject matter, capturing the internal and external battles faced by veterans. The film’s emotional depth and raw honesty resonate strongly, making it an impactful viewing experience.

Nanney's potential as a filmmaker is evident in his ability to weave a compelling narrative with strong character development. His portrayal of Jethro’s journey is both heart-wrenching and inspiring, showcasing his skill in creating a relatable and nuanced protagonist.

Trevor Valdez’s work as Director of Photography complements Nanney’s vision, with cinematography that emphasizes both the stark realities of Jethro’s current life and the haunting memories of his past. The visual storytelling is enhanced by Myles Erfurth's editing and sound design, which seamlessly blend to create an immersive atmosphere.

The film’s color correction by Andres Ramirez adds to its somber and reflective tone, while the careful sound design underscores the emotional weight of the narrative. These technical aspects are crucial in conveying the protagonist's internal struggles and the film’s overall impact.

The cast delivers powerful performances, with Mike Silva leading as Jethro Miles. Silva’s portrayal is deeply moving, capturing the vulnerability and resilience of a man grappling with his wartime experiences. Sophie Jordan Collins as Mary Ellen Miles and Jennylyn Caterina as Samantha Iris provide strong supporting roles, contributing to the film’s emotional depth.

Notably, the casting by Nadia Teichmann and Lina Farache for Castaspell Casting is spot on, with each actor fitting seamlessly into their roles and enhancing the film's authenticity.

"Burden" is an impressive debut from James Nanney Jr, showcasing his potential as a filmmaker with a unique voice and perspective. The film’s heartfelt exploration of a veteran's struggle for normalcy and peace is both poignant and powerful, marking it as a significant contribution to the genre.

Nanney’s firsthand experience and deep understanding of the subject matter infuse "Burden" with authenticity and emotional resonance. As his directorial debut, this film hints at a promising future for Nanney in the world of cinema, and it will be exciting to see what projects he undertakes next.

HINTER-LAND
CHRISTOPHER ANGUS

Christopher Angus brings his uniquely artistic vision to life in his latest animated film, "Hinter-Land," a project that magnificently captures both the whimsical and the hauntingly profound. Angus, a seasoned animator with a rich history of award-winning projects, offers audiences a mature and artistically complex piece that delves into the unsettling consequences of a musical gardener's impulsive decision to eject his hired hand, resulting in chaos on his otherwise tranquil little planet.

One of the most striking aspects of "Hinter-Land" is its sheer originality. Angus's narrative breaks away from conventional storytelling, creating a surreal and captivating microcosm where music and nature intertwine in unexpected ways. The concept of a musical gardener is both inventive and compelling, serving as a fresh metaphor for the delicate balance and interdependence within ecosystems. The story's progression, steeped in rich symbolism, challenges viewers to think deeply about the often unconsidered ripple effects of their actions.

Christopher Angus’s character design in "Hinter-Land" is as imaginative as it is meticulous. The characters, particularly the musical gardener and his hired hand, are crafted with distinctive personalities that draw viewers into their world. The animation itself is fluid and visually arresting, with a level of detail that reflects Angus’s extensive experience and dedication to the animator’s craft. The fantastical elements of the film are brought to life with a touch of whimsy that is underlined by a subtle sense of foreboding, creating a rich tapestry of emotion and intrigue.

The film’s sound design and musical score, areas in which Angus himself has been deeply involved, play an integral role in "Hinter-Land." The music not only enhances the storyline but also serves as a crucial narrative device. The auditory elements are hauntingly beautiful and resonate well with the film’s darker themes, accentuating the emotional impact of key moments. The juxtaposition of harmonious melodies with the eventual discord echoes the film’s narrative arc and underscores the consequences of the gardener’s rash decision.

Angus’s direction in "Hinter-Land" is confident and visionary. He expertly balances the whimsical and the profound, guiding viewers through a narrative that is as thought-provoking as it is visually stunning. His ability to create a hauntingly beautiful essence, as he intended, is evident throughout the film. The story unfolds with a poignant sense of inevitability, layered with complex themes

JUST A FLING
GORUNE APRIKIAN

"Just a Fling" (Passade) emerges as a captivating debut feature, directed by Gorune Aprikian, a filmmaker whose diverse background from the corporate world to film has undeniably enriched his storytelling craft. Aprikian’s varied career, spanning engineering, mining, publishing, and film production, equips him with a unique lens through which he examines the complexities of human emotions and relationships.

The film takes an unconventional start, picking up immediately after Paul and Vanessa have had sex. This narrative choice subverts traditional romantic tropes, where intimacy typically concludes the story. Vanessa is portrayed as funny, pretty, and witty, while Paul remains somewhat immature and emotionally inexperienced. This unlikely pairing drives a narrative rich with manipulations and ambiguous emotions. The central questions—who is manipulating whom, and whether Paul can overcome his fears, awkwardness, and societal conventions to achieve true love—propel the plot forward.

Aprikian’s bold statement that the film is "not a reflection about love, but mostly about the need for love" resonates throughout. This distinction is crucial and is deftly woven into the storyline. "Just a Fling" meticulously choreographs moments of humor and serious confidences, unraveling how two souls can connect beyond mere physical desire. Influenced by Lacan’s philosophy—"Sexual relationship does not exist"—as cited by the director, the film argues that sex is merely the first step in the arduous journey towards love, not its culmination.

The cinematography and direction are on par with the sophistication of the narrative. Aprikian balances humor and drama with finesse and precision, never losing sight of the emotional core of the story. For a debut feature, the film achieves an impressive equilibrium between psychological depth and accessible entertainment.

The success of "Just a Fling" at numerous film festivals underscores its resonance and quality. It has garnered accolades such as Best Film - Golden Camel at the Jaipur International Film Festival 2018 and Best Feature Film at the MedFF 2017, among others, affirming its place as an insightful and compelling romantic drama.

In conclusion, "Just a Fling" is a remarkable first outing for Gorune Aprikian, heralding the arrival of a thoughtful and talented new voice in cinema. The film transcends typical romantic narratives, offering a profound exploration of the intricate dance between love, need, and human connection.

NURSERY RHYME OF A MADMAN
IGOR RADOS

Igor Stephen Rados' "Nursery Rhyme of a Madman" is a stylized thriller that plunges the viewer into a world of dark humor, symbolism, and the frenetic interplay between reality and madness. This feature film, notable for its unconventional approach, takes the audience on a twisted poetic journey that is both intellectually stimulating and emotionally captivating.

The narrative centers around a poet confined in an asylum, desperate to escape the clutches of two competing doctors who represent opposing schools of thought. The poet’s struggle for freedom and creativity is poignantly portrayed, drawing a stark contrast between the stifling environment of the asylum and his yearning for artistic expression.

As the story progresses, the poet's interactions with a young nurse catalyze a series of surreal and poetic experiences that blur the lines between reality and illusion. This interplay reflects the themes of freedom versus control, creativity versus constraint, and sanity versus madness. Rados masterfully explores these dichotomies, inviting viewers to question the nature of reality and the human condition.

Rados, with his background in liberal studies, theater, and film production, brings a unique perspective to this film. His direction is marked by a keen eye for detail and a profound understanding of visual storytelling. The film’s style is unorthodox, combining elements of magic realism with dark comedy to create a narrative that is both engaging and thought-provoking.

The symbolism in "Nursery Rhyme of a Madman" is rich and multifaceted. Each scene is carefully crafted to convey deeper meanings, often through visual metaphors and the strategic use of color and lighting. The dark humor interspersed throughout the film adds a layer of complexity, making the audience both laugh and reflect on the absurdities of life.

The cast delivers strong performances that enhance the film's impact. The portrayal of the poet captures the essence of a tortured artist, while the two doctors' characters are imbued with a sense of eccentricity and menace. The young nurse's role is pivotal, providing a glimmer of hope and humanity amidst the chaos of the asylum.

"Nursery Rhyme of a Madman" has garnered numerous awards and nominations, reflecting its critical acclaim and the high regard in which it is held within the film community. Some notable accolades include:

Montreal World Film Festival (2017): Nominee for Most Popular Canadian Feature Film
ARFF Amsterdam (2019): Best Feature Film - Monthly Winner
Global Film Festival Awards (2019): Best Feature Film - Award
New York Cinematography Awards (NYCA) (2019): Best Comedy Film Award
International Film Festival Manhattan (2019): Best Director Feature Film

"Nursery Rhyme of a Madman" is a daring and inventive film that showcases Igor Stephen Rados' distinctive directorial voice. Its blend of dark comedy, symbolism, and magic realism offers a rich tapestry of themes and ideas that resonate long after the credits roll. This film is a must-watch for those who appreciate cinema that challenges conventional narratives and delves deep into the human psyche.

STAR NIGHT
​ZACH MEYER

"Star Night," the narrative directorial debut of Zach Sung Jin Meyer, is a captivating micro short that delves into the complexities of attention, deceit, and the human psyche. The film's concise storytelling and sharp execution make it a memorable watch.

The film centers on an attention-loving couple who become increasingly unnerved by a stranger's relentless staring. As the stranger's intentions unfold, so do the couple's hidden secrets, leading to a series of revelations that challenge their perception of each other and themselves.

Meyer's film explores the psychological underpinnings of attention and deception. Drawing on Carl Jung's theories, "Star Night" illustrates how our actions are often driven by subconscious desires and fears. The main protagonist, depicted as a lying and opportunistic individual, becomes a focal point for examining the consequences of craving and mismanaging attention.

In his director's statement, Meyer reflects on the journey of creating "Star Night," acknowledging the complexity of understanding the project's full scope only after its completion. His directorial approach effectively captures the tension and unease that permeate the narrative, making the audience question the motives of both the stranger and the couple.

Meyer's vision is brought to life through meticulous storytelling and a keen understanding of the human psyche. The film's pacing and narrative structure build suspense, leading to a climactic twist that is both surprising and satisfying.

The performances in "Star Night" are a standout feature. Vandit Bhatt, Sarah Street, and Ben Jaeger-Thomas deliver compelling portrayals that anchor the film's psychological intensity.

Vandit Bhatt excels as the enigmatic stranger, whose unsettling presence drives the narrative forward.
Sarah Street portrays the female lead with a nuanced performance that captures the duality of seeking attention and harboring secrets.
Ben Jaeger-Thomas complements Street's character, embodying the deceptive yet sympathetic protagonist whose actions propel the story's dramatic twists.
Their chemistry and individual performances add depth to the film, making the characters' motivations and vulnerabilities palpable.

"Star Night" benefits from tight production values that enhance its storytelling. The cinematography captures the intimate and often claustrophobic settings that mirror the characters' psychological entrapment. The use of lighting and camera angles intensifies the suspense, keeping viewers engaged and on edge.

Meyer's collaboration with his cast and crew, including scoring acapella tracks with his college buddy, adds a unique auditory layer to the film. The sound design and music complement the visual narrative, amplifying the emotional impact of key scenes.

"Star Night" is a testament to Zach Sung Jin Meyer's directorial potential. It is a gripping micro short that effectively blends psychological intrigue with narrative finesse. The film's exploration of attention and deceit, coupled with strong performances and a well-executed twist, makes it a standout debut in the realm of short films.

For those interested in psychological narratives and character-driven stories, "Star Night" offers a brief yet powerful glimpse into the darker facets of human nature. It leaves a lasting impression, prompting viewers to reflect on the complexities of attention, trust, and the secrets we keep.

THE 'JACOB' TRILOGY / MAKING OF 'THE TRILOGY'
JASON PFISTER

"THE 'JACOB' TRILOGY" excels in its narrative structure, presenting a cohesive story split into three distinct yet interconnected parts. Each segment—"Jacob's Request," "Jacob's Dream," and "Jacob's Gift"—serves to build on the previous one, deepening the emotional resonance of Jacob's quest. The themes of family, loss, and hope are explored with a sensitivity that speaks to Pfister's skill as a storyteller. Jacob's journey is not just a physical one, but an emotional and psychological exploration of what it means to seek and find connection.

Pfister's characters are richly drawn and deeply human. Jacob, as the central figure, is portrayed with a vulnerability that invites empathy from the audience. The relationships he forms along his journey are complex and multifaceted, adding depth to the narrative. The supporting characters are well-developed, each contributing to Jacob's growth and the overall story arc. Pfister’s ability to portray these relationships authentically adds a layer of realism to the film.

One of the standout aspects of "THE 'JACOB' TRILOGY" is its visual style. Pfister employs a documentary-style approach that enhances the film's authenticity and intimacy. This choice of style allows the audience to feel as though they are part of Jacob's journey, experiencing his highs and lows alongside him. The cinematography is thoughtful and deliberate, with each shot carefully composed to evoke emotion and convey the narrative effectively. This approach also underscores Pfister's attention to detail and his commitment to creating a visually compelling film.

The emotional impact of "THE 'JACOB' TRILOGY" is profound. Pfister's storytelling elicits a range of emotions, from hope to despair to redemption. The themes of the trilogy are timeless and universally relatable, touching on the fundamental human desire for connection and belonging. Pfister’s ability to weave these themes into a compelling narrative is a testament to his skill as a filmmaker.

"MAKING 'THE TRILOGY'" offers an insightful look into the creative process behind "THE 'JACOB' TRILOGY." Through interviews with Pfister and the cast, the documentary provides a deeper understanding of the challenges and triumphs of bringing this story to life. The inclusion of behind-the-scenes footage and bloopers adds a personal touch, showcasing the camaraderie and dedication of the team. This documentary short not only complements the main film but also enhances the audience’s appreciation of the effort and passion that went into its creation.

"THE 'JACOB' TRILOGY" is a testament to Jason Pfister's potential as a filmmaker. His ability to craft a deeply emotional and visually compelling narrative is evident throughout the trilogy. The film's documentary-style approach adds authenticity and intimacy, making Jacob's journey feel real and relatable. Pfister's dedication to storytelling and his attention to detail shine through in every aspect of the film. As Pfister continues to develop his craft, "THE 'JACOB' TRILOGY" serves as a promising indicator of his future success in the film industry. This trilogy, along with its insightful companion documentary, highlights Pfister's passion for filmmaking and his commitment to creating stories that resonate deeply with audiences.

MA HAMA ESTI (US STILL EXISTS)
ERDOGAN BULUT

Experimental cinema has always been a haven for filmmakers seeking to explore beyond traditional narrative and aesthetic conventions. "Ma Hama Esti (Us Still Exists)" by director Erdogan Bulut eloquently embodies this spirit of exploration and challenge. Over its 62-minute runtime, Bulut immerses us in a sensory torrent that flows with the intensity of a raging river.

From the first frame, the viewer is plunged into a sensory journey that defies perception. Images flow and intertwine like river currents, carrying with them a series of animations that seem to question reality itself. Bulut uses these animations not merely as visual embellishments but as provocations that invite us to reflect on our own existence and the conflicts surrounding us.

The film's music, intense and penetrating, becomes another character. Rather than supporting the images, it seems to dialogue with them, offering a parallel narrative that, at times, feels even more powerful than the figures and forms depicted on screen. The soundtrack not only accompanies but also guides and challenges, amplifying the emotional and thematic weight of the short film.

"Ma Hama Esti" is a title that, in the Zazaki language, means "We still exist." This linguistic choice is not incidental. Zazaki is an endangered language, and Bulut, a native speaker, uses his cinema as an act of cultural resistance. The film is, in this sense, a declaration of existence and persistence in a world threatening to erase identities and cultures.

The film's content addresses the current state of the world, focusing on social conflicts and natural disasters. Bulut does not settle for a superficial portrayal of these themes; instead, he intertwines them with a visual poetry that reveals both the beauty and the tragedy of our shared existence.

Erdogan Bulut is no novice in the world of experimental cinema. His career is marked by works that challenge norms and seek new forms of expression. "Playground 13-14" and "Letter to Goya" are examples of his ability to combine painting, sculpture, and cinema into a cohesive and challenging whole. "Ma Hama Esti" continues this tradition, gaining recognition at international festivals and garnering awards that validate his unique artistic vision.

"Ma Hama Esti (Us Still Exists)" is a work that requires an open mind and a spirit willing to be challenged. It is not a short film to be passively consumed; it demands reflection and active participation. Erdogan Bulut has created a film that is not only a testament to his skill as a filmmaker but also a powerful declaration about cultural resistance and persistence in times of adversity.

In an era where films often seek to please and entertain, "Ma Hama Esti" stands out as a reminder that cinema can and should be a vehicle for introspection and social transformation. It is a must-see for those who seek in art a spark of truth and a call to action.

AMERICANS IN JAPAN
JOHNNY VONNEUMANN

Johnny Vonneumann's "Americans in Japan" is an innovative entry into the genre he has famously pioneered: the documentary opera. This film, like his previous works, is constructed entirely from footage shot during a tourist trip, demonstrating his unique ability to weave travel experiences into compelling narratives underscored by carefully selected musical scores.

"Americans in Japan" follows six Americans as they navigate the cultural landscape of Japan. The documentary opera captures their experiences, interactions, and observations, offering a fresh perspective on the cross-cultural exchange between Western visitors and Japanese society. The film delves into themes of curiosity, exploration, and the inevitable clash and blend of cultures.

Vonneumann's approach to filmmaking is distinct and refreshing. Known for his zero-budget productions, he turns the constraints of low-cost filmmaking into an asset, focusing on creativity and personal investment rather than financial expenditure. His style is reminiscent of the works of Frederick Wiseman, another documentarian who often eschews traditional narrative techniques in favor of a more observational and immersive approach. Like Wiseman, Vonneumann captures the essence of his subjects through unfiltered and candid footage, allowing the natural interactions and environments to tell the story.

The "documentary opera" format is particularly striking. By revisiting his footage after a significant delay and pairing it with a carefully chosen musical score, Vonneumann creates a narrative that is both visually and aurally engaging. The music acts as the narrative spine, guiding the viewer's emotional response and enhancing the storytelling in a way that dialogue alone could not achieve. This innovative blend of documentary filmmaking and operatic music sets his work apart, making it a distinctive voice in the genre.

The cinematography in "Americans in Japan" is marked by a sense of immediacy and intimacy. Vonneumann's footage captures the vibrant life and culture of Japan from the perspective of an inquisitive tourist. The editing is meticulous, with each frame carefully chosen to contribute to the overall narrative. The integration of the musical score with the visual elements creates a harmonious and compelling viewing experience.

Vonneumann's work can be compared to that of Dziga Vertov, who was known for his innovative use of montage and his emphasis on the rhythm of everyday life. Vonneumann's documentary operas similarly emphasize the rhythm of the mundane, transforming ordinary tourist footage into something extraordinary through the power of music and careful editing.

"Americans in Japan" is a testament to Johnny Vonneumann's ability to create compelling and innovative films with minimal resources. His unique style and dedication to his craft are evident in every frame, making this documentary opera a standout piece. For those interested in seeing how travel experiences can be transformed into art, "Americans in Japan" is a must-watch. Vonneumann's work is a reminder that great filmmaking is not about the budget, but about imagination, creativity, and passion.

CONCRETE LAW
APRIL JONES

"Concrete Law," directed by April Jones, is a compelling documentary that chronicles the seven-year struggle to save a renegade skatepark in Los Angeles. This film delves into the complexities of community activism, bureaucratic hurdles, and the unwavering spirit of local skateboarders fighting to reclaim their space.

The documentary captures the essence of a community's battle against the formidable Los Angeles bureaucracy to preserve a DIY skatepark built by skateboarders themselves. This skatepark, more than just a recreational facility, represents a hub of creative expression and a sanctuary for the local skateboarding culture. As the film unfolds, it reveals the layered challenges of navigating city hall's red tape and the determination of the skateboarding community to protect their turf.

April Jones highlights the broader theme of grassroots activism and the power of community in the face of systemic obstacles. The film underscores the importance of preserving community-built spaces and the impact of these spaces on local culture and identity.

April Jones, a seasoned documentary filmmaker with over 15 years of experience in covering underground heavy metal, punk rock music genres, and the DIY skateboard culture, brings her unique perspective and passion to "Concrete Law." Her firsthand experience as a skateboarder and her fiery dedication to creative expression infuse the documentary with authenticity and urgency.

Jones' director's statement reflects her deep commitment to the cause. Initially driven by a desire to save the skatepark, her journey evolved into a powerful film that raises awareness and champions the preservation of DIY skateparks. Her approach to filmmaking is unconventional and raw, effectively capturing the spirit of the skateboarding community and their relentless fight against bureaucratic indifference.

The documentary features interviews with key figures in the skateboarding community, including Tony Hawk, Ronnie Sandoval, and Robbie Russo, among others. Their insights and experiences add depth to the narrative, highlighting the significance of the skatepark and the personal stakes involved in its preservation.

Jones skillfully weaves these interviews with footage of city hall meetings, protests, and skateboarding sessions, creating a dynamic and engaging narrative. The voices of the skateboarders and community members resonate throughout the film, emphasizing their resilience and solidarity.

The production values of "Concrete Law" are impressive, particularly given its independent nature. Shot in 4K digital format, the documentary boasts crisp, vibrant visuals that capture both the urban landscape of Los Angeles and the kinetic energy of the skateboarding scenes. The 16:9 aspect ratio and color grading enhance the viewing experience, making the film visually appealing and immersive.

Jones' direction ensures that the pacing of the documentary remains brisk and engaging. The 50-minute runtime is well-utilized, with each segment contributing to the overarching narrative of struggle and resistance.

"Concrete Law" is a powerful and inspiring documentary that sheds light on the challenges and triumphs of a community fighting to preserve its cultural heritage. April Jones' passionate storytelling and dedication to the cause make this film a standout piece in the realm of activist documentaries.

For viewers interested in grassroots activism, urban politics, and the vibrant culture of skateboarding, "Concrete Law" offers a captivating and thought-provoking experience. It is a testament to the power of community and the enduring spirit of those who fight for creative freedom and expression.

ISOLATED PEOPLE
JUN WANG

​In the midst of a devastating pandemic, Wang Yang, having lost her only relatives, wrestles with a debilitating desire to end her life. Her salvation comes in the unlikely form of Jia Xiusheng, a construction worker who is isolated not only by the pandemic but by the systemic neglect of society. Their unexpected encounter unravels a gripping narrative of despair, isolation, and the quest for human connection amidst unprecedented times.

Jun Wang, born May 1971 in Tangshan, Hebei, is a distinguished director, screenwriter, and producer from Mainland China. A graduate of The Central Academy of Drama, Wang Jun debuted with his film "The Autumn of that Year" in 2005. His acclaim grew with "Nuomi’s Apple," which won the Grand Jury Prize for Best Feature at the 13th San Diego International Kids’ Film Festival in 2015. In subsequent years, his films such as "Blossom," "Promise," and "Singing to the Sky" garnered numerous awards and international recognition, solidifying his reputation as a leading figure in independent cinema.

"Isolated People" is an evocative exploration of two lost souls colliding in the midst of the COVID-19 pandemic, captured through the masterful direction of Jun Wang. The film transcends the simple narrative of human suffering by delving deep into the psychological impacts of isolation, both physically induced by quarantine and existentially by life's traumas.

From a cinematographic perspective, "Isolated People" is a stunning montage of black and white imagery, reflecting both the bleakness and the stark realities of the characters’ worlds. The director’s choice to use monochrome echoes the dual isolation—Wang Yang’s immediate quarantine versus Jia Xiusheng’s life-long societal marginalization. This visual approach transforms despair into an artistic expression, each scene meticulously crafted with light and shadow, evoking a cinematic language that shifts from brutal realism to haunting impressionism.

What sets "Isolated People" apart is not just its thematic depth but the breathtaking performances of the lead actors. Their chemistry on screen provides a nuanced portrayal of despair and brief glimmers of hope, which are as compelling as they are tragic. Jun Wang's direction ensures that the actors’ raw performances are both authentic and deeply moving, grounding the film’s existential ponderings in a searing, human reality.

Furthermore, Jun Wang’s handling of the narrative exhibits his proficiency in marrying profound thematic content with captivating.

LOVE CHANGES EVERYTHING
KARAMELL JONES

"Love Changes Everything," directed by Karamell Jones, is a poignant short film that explores the intricate dynamics of relationships, secrets, and the haunting repercussions of past actions. The film follows a young couple whose plans for a new life together are disrupted when a one-night stand from college resurfaces, unraveling a web of lies and deceptions.

The narrative centers around the reemergence of a past indiscretion that threatens to shatter the idyllic future a young couple has envisioned. This premise sets the stage for a tense exploration of trust, betrayal, and the fragile nature of human relationships. As the story unfolds, viewers are drawn into a labyrinth of secrets, each revelation peeling back another layer of the characters' intertwined lives.

Karamell Jones masterfully weaves everyday life situations with unexpected twists, keeping the audience engaged and on edge. The film’s central theme—that love changes everything—resonates deeply, highlighting how love can be both a source of profound joy and intense pain.

Karamell Jones, whose real name is Yvette Walters, brings a wealth of experience and a unique perspective to her directorial work. Balancing her roles as an author, playwright, scriptwriter, filmmaker, director, and podcaster, Jones infuses her storytelling with rich, multifaceted characters and realistic dialogue. Her ability to translate complex emotional landscapes onto the screen is evident in "Love Changes Everything."

Jones' director's statement reflects her passion for creating stories with a twist. This approach is palpable throughout the film, where everyday scenarios are imbued with dramatic turns that challenge the characters' integrity and resilience. Her direction ensures that the narrative remains tight and compelling, with each scene adding depth and tension to the overall story.

The cast of "Love Changes Everything" delivers strong performances that bring Jones’ script to life. Kendra Y Peterson as Ryder, Janan Ashton as Madison, Ka'von Dessus as Kareem, and Vanessa Burgess as Kareemah each portray their roles with authenticity and emotional depth. Their interactions are charged with the raw intensity of individuals grappling with betrayal and the quest for redemption.

Peterson and Ashton, in particular, share a palpable chemistry that underscores the stakes of their relationship. Their performances capture the vulnerability and strength of a couple facing an existential crisis, making their journey both relatable and heart-wrenching.

The production values of "Love Changes Everything" are commendable, especially considering the film’s independent status. Jones' writing is sharp and engaging, filled with dialogue that feels natural and situations that resonate with real-life experiences. The film's pacing is well-managed, with a balance of dramatic highs and introspective moments that allow the characters to breathe and develop.

Jones' background as a writer shines through in the film’s script. Her ability to craft intricate narratives with believable characters ensures that "Love Changes Everything" is more than just a drama; it is a poignant commentary on the enduring impact of past actions on present lives.

"Love Changes Everything" is a testament to Karamell Jones' talent as a storyteller and director. The film’s exploration of trust, secrets, and the transformative power of love offers a compelling viewing experience that lingers long after the credits roll. Jones' dedication to her craft and her ability to infuse everyday situations with dramatic tension make "Love Changes Everything" a standout piece in her burgeoning filmography.

For audiences seeking a drama that delves deep into the human psyche and the complexities of relationships, "Love Changes Everything" is a must-watch.

PHARAOH
DIMITRI DEVYATKIN

"He Will Taste My Revenge!" is a compelling and richly layered script set in Ancient Egypt, written by Dimitri Devyatkin. It masterfully intertwines historical intrigue with timeless themes of revenge, legacy, and the pursuit of wealth, making it a strong contender for adaptation into a feature film.

The script opens with a dramatic scene on the Pharaoh's Architect's deathbed, where he reveals to his sons the existence of a secret entrance to the Royal Treasury. This entrance grants them access to an untold amount of gold and jewels, setting the stage for a high-stakes adventure.

Thematically, the script explores the complex dynamics of familial duty, the lure of untold riches, and the moral ambiguities that arise in the quest for power and revenge. Devyatkin draws from one of the oldest tales of human civilization, skillfully updating it for contemporary audiences. This blend of ancient setting and modern storytelling techniques provides a unique and engaging narrative experience.

Dimitri Devyatkin's writing is characterized by its vivid imagery and dynamic pacing. His experience as a director, producer, and screenwriter is evident in the way he crafts scenes that are both visually striking and emotionally resonant. The dialogue is sharp and purposeful, driving the narrative forward while deepening our understanding of the characters' motivations and inner conflicts.

Devytakin’s ability to combine abstract synthesized imagery with traditional camera footage has earned him acclaim in the video art world, and his innovative approach is mirrored in his scriptwriting. The script’s contemporary style, despite its ancient setting, bridges the gap between historical narrative and modern sensibilities, making the story accessible and relevant to today's audience.

The characters in "He Will Taste My Revenge!" are well-drawn and multifaceted. The Pharaoh's Architect, though only present at the beginning, casts a long shadow over the narrative. His revelation sets his sons on a perilous path, each driven by their interpretation of duty and desire.

The sons themselves are portrayed with depth, their personalities and motivations clearly defined. Their journey to the Royal Treasury is as much about discovering themselves and their destinies as it is about acquiring wealth. The interplay between the brothers, their conflicts, and alliances add a rich layer of tension and drama to the story.

"He Will Taste My Revenge!" holds immense potential for adaptation into a feature film. The script's blend of historical intrigue and contemporary storytelling provides a fresh take on a classic tale. Its themes of revenge, power, and legacy are universal, resonating across time and cultures.

Visually, the script offers a wealth of opportunities for stunning cinematography. The ancient Egyptian setting, combined with the treasure hunt narrative, promises a visually spectacular and engaging film. The secret entrance to the Royal Treasury and the ensuing adventure can be brought to life with creative direction and cutting-edge visual effects, making for a captivating cinematic experience.

Dimitri Devyatkin’s "He Will Taste My Revenge!" is a script that deserves to be brought to the big screen. Its rich narrative, compelling characters, and universal themes make it a standout piece that has the potential to captivate audiences. The combination of historical context with modern storytelling ensures that the film will not only entertain but also provoke thought and discussion.

As a director and screenwriter, Devyatkin’s vision is clear and compelling. His ability to weave humor, art, and new technology into his work promises a unique and memorable film that will stand out in the cinematic landscape. "He Will Taste My Revenge!" is poised to be a significant contribution to the world of film, bringing an ancient story to life with contemporary flair and depth.

THE GRANDFATHER
ALVARO PRUNEDA

Alvaro Pruneda’s The Grandfather introduces us to a captivating narrative where the supernatural and emotional collide, showcasing the potential of a young director whose work evokes the nuanced storytelling and visual prowess of Pablo Larraín. The film centers on Rafaella, a young radio host in Chile, who encounters her deceased grandfather on the night of February 27, 2010. This eerie yet touching visit from her grandfather, dead for ten years, serves as the film's emotional and narrative core, seamlessly blending elements of ghostly intrigue with deeply personal themes.

Pruneda, born in Santiago, Chile, in 1980, has honed his craft over two decades in both still photography and motion pictures. His expertise is evident in the meticulous attention to visual detail and the evocative atmosphere he creates in The Grandfather. Known for his previous works like "La Increíble Metamorfosis de Juan Perez" and the award-winning short film BUCLE, Pruneda continues to impress with his ability to tell compelling stories that resonate with audiences on multiple levels.

The Grandfather is not just a supernatural tale but a poignant exploration of memory, loss, and the lingering connections between the living and the dead. The film's setting, a local radio station in Chile, serves as a perfect backdrop for Rafaella’s journey. The isolation of the night shift mirrors her internal solitude, and the sudden appearance of her grandfather disrupts both her routine and her understanding of reality. This disruption is handled with a deft touch, maintaining a balance between suspense and heartfelt emotion.

Pruneda’s direction is reminiscent of Larraín’s ability to delve deep into the human psyche while maintaining a keen sense of place and atmosphere. The careful pacing, the use of shadows and light, and the subtle yet powerful performances all contribute to a film that feels both intimate and expansive. The director’s statement, “I just hope you enjoy my films as much as I enjoy making them,” encapsulates the genuine passion and dedication that shines through every frame of The Grandfather.

Pruneda’s vision for The Grandfather not only cements his reputation as a talented filmmaker but also hints at his potential to become a significant voice in contemporary cinema. His ability to weave complex emotional narratives with striking visual storytelling is a rare gift, and The Grandfather stands as a testament to his skill and creativity.

The Grandfather is a film that deserves recognition and support from producers and audiences alike. Alvaro Pruneda’s work on this project showcases his exceptional talent and potential, marking him as a director to watch. The film’s unique blend of supernatural elements and emotional depth makes it a standout piece that could leave a lasting impact on viewers. With its engaging narrative and beautiful cinematography, The Grandfather has all the makings of a cinematic gem. Here’s hoping this film garners the attention it deserves and further establishes Pruneda as a leading filmmaker of his generation.

TIMELESS, IN THE METAVERSE
SUSAN MEY LEE LIM

"Fantasy of Companionship between Human and Inanimate" is an innovative and pioneering animated project that delves into the profound themes of companionship and loneliness in a futuristic world. Directed by a trio of creative visionaries—Susan Mey Lee Lim, Samudra Kajal Saikia, and Christina Teenz Tan—this project brings together cutting-edge technologies and deep emotional narratives to explore a future where synthetic DNA, robotics, artificial intelligence, and quantum physics redefine what companionship means.

The essence of this project lies in its exploration of endearing human-inanimate companionship, drawing from the past and projecting dreams into a future where memories come alive, creating timeless nostalgia. This narrative is not just a flight of fancy but a thoughtful reflection on the human condition, particularly the pervasive issue of loneliness in contemporary society. By imagining a future where inanimates can become trusted companions, the project opens up new possibilities for emotional connections and support systems that transcend traditional human relationships.

Susan Mey Lee Lim, Samudra Kajal Saikia, and Christina Teenz Tan, with their diverse backgrounds and expertise, bring a unique and rich perspective to this project. Lim, a surgeon and scientist, combines her technical knowledge with a deep understanding of human emotions, while Saikia and Tan contribute their artistic and creative prowess. Their collaboration results in a project that is both intellectually stimulating and emotionally resonant.

In her director's statement, Dr. Lim emphasizes the importance of addressing loneliness and the need for innovative approaches to companionship. This vision is clearly reflected in the project, which communicates a hopeful and optimistic outlook for the future. The directors' commitment to this cause is palpable, and their ability to blend science with art creates a compelling and thought-provoking experience.

One of the standout aspects of "Fantasy of Companionship between Human and Inanimate" is its use of animation and virtual reality (VR). The project leverages the latest advancements in these fields to create an immersive experience that allows viewers to engage with the story in unprecedented ways. The animation, spearheaded by Samudra Kajal Saikia, is visually stunning and creatively executed, bringing the inanimate companions to life with remarkable detail and emotion.

The use of VR technology further enhances the immersive quality of the project, making the memories and stories feel more immediate and tangible. This innovative approach not only sets the project apart but also offers a glimpse into the future of storytelling and entertainment.

The narrative, co-written by Susan Mey Lee Lim, Christina Teenz Tan, and Ron Josef Danziger, is both poignant and imaginative. The writing delves into the psychological and emotional aspects of companionship, creating characters and scenarios that are relatable and moving. Danziger, who also serves as a composer and performer, adds another layer of depth to the project with his musical contributions. The music complements the animation beautifully, enhancing the overall emotional impact of the story.

"Fantasy of Companionship between Human and Inanimate" is a groundbreaking project that challenges our perceptions of companionship and loneliness. Through its innovative use of animation and VR, coupled with a deeply emotional narrative, the project offers a hopeful vision for the future. The collaboration between Susan Mey Lee Lim, Samudra Kajal Saikia, and Christina Teenz Tan results in a thought-provoking and visually stunning experience that resonates long after the screen fades to black.

As we emerge from a pandemic that has highlighted the issue of loneliness, this project provides a timely and optimistic perspective on how technology and creativity can come together to address some of the most pressing challenges of our time. It is a must-see for anyone interested in the future of human relationships and the role of technology in shaping our emotional landscapes.

H.O.E (HAPPINESS OVER EVERYTHING)
MIKO GRIMES

In the contemporary independent film landscape, few works capture with as much authenticity and rawness the complexities of marriage and the pursuit of personal happiness as does HOE, a short film directed by The Shenanigans and written by Miko Grimes. This production, set in the vibrant and contradictory life of an upper middle-class family in Southern California, offers an incisive look from the perspective of a black woman, revealing the internal and external struggles she faces on her path to self-realization.

From the very first frame, HOE sets a bold and uncompromising tone. The Shenanigans have achieved confident and powerful direction, combining visual and narrative elements to explore themes of gender, power and desire. The plot follows Ciara, played brilliantly by Miko Grimes herself, a mother and stay-at-home mom who, despite having no financial worries, finds herself trapped in a gilded cage of dissatisfaction and unresolved longing. Her journey to find what happiness really means, outside of society's expectations and without the transparency expected of it, is as poignant as it is challenging.

The Shenanigans' direction is sharp and precise, capturing the surface opulence of Ciara's life while contrasting it with her inner emptiness. The decision to use music as a narrator is a masterful move, adding an additional layer of emotional depth and resonance to the story. The soundtrack acts almost like another character, guiding the viewer through the ups and downs of Ciara's journey.

The cast of HOE is impressive and each member brings a performance that enriches the narrative. Rodney Rikai as Jason, the alpha husband, delivers a nuanced performance that avoids falling into clichés, showing a range of emotions from authority to vulnerability. Jessie Woo as Brooke brings a spark of energy and perspective, while Antwon Tanner as Darnell and Jason Davis as Dylan round out a cast that brings the story vividly and believably to life.

The film does not shy away from addressing the double standards that society imposes on women, especially in the context of marriage and the home. Ciara's bold exploration of her romantic and professional desires challenges these norms, inviting the audience to reconsider traditional expectations and gender equity.

In short, HOE is a work of art that stands out not only for its thematic relevance but also for its flawless execution. The collaboration between The Shenanigans and Miko Grimes promises much for the future of independent filmmaking, with an emerging talent that will undoubtedly give much to talk about. The film is a powerful and necessary reflection on the pursuit of happiness in a world full of expectations and restrictive rules.

DELIVERY
HSIN-TING LIN

“Delivery,” Hsin-Ting Lin's animated micro-short, is a delightful and deeply reflective exploration of the small and often unpredictable complications of everyday life. In just a few minutes, Lin manages to capture the essence of everyday mishaps and transform them into poignant human connections, offering a visual narrative that resonates with the audience's shared experience.

The plot of “Delivery” unfolds through a series of unfortunate accidents that, while initially seeming daunting, turn out to be blessings in disguise. These fortuitous events, occurring in such commonplace settings as streets, offices and sports arenas, allow the characters to form unexpected bonds with each other. The choice of these everyday settings is not accidental; it is an invitation for viewers to see themselves reflected in the situations presented, making the story universally accessible and relatable.

Lin's visual style is minimalist, but no less striking for that. The simplicity of form and precise use of color and movement create a clean, pleasing aesthetic that keeps the viewer's attention focused on the emotions and actions of the characters. Every detail, from texture to color palette, is meticulously designed to evoke a sense of familiarity and comfort, while fluid, expressive animations infuse the characters with life and personality.

Hsin-Ting Lin's biography is as fascinating as her work. Born and raised in Taiwan, Lin began her career as a marketing executive before venturing into the world of digital art. Her background in business administration and subsequent MFA education in Computational Arts at the School of Visual Arts in New York have given her a unique perspective that combines artistic sensibility with a keen business sense. This duality is reflected in “Delivery,” where the visual narrative is infused with a deep understanding of viewer psychology and market dynamics.

NEXT COMPETITION
10-FEB 2025