SUMMER 2023 FILM
COMPETITION REVIEWS
IN ALPHABETICAL ORDER

A NEW GENERATION
​JASON WINFIELD

In the twilight of 2018, Razed by Rebels dropped their four-song album, "Dawn," upon the world – and what a stunner it is! With a hearty nod to the enigma of sci-fi, the album’s lyrics delve into a compelling narrative of endurance and conflict. But wait, there's more! The band didn't just stop at mesmerizing tunes; they also created a music video for “A New Generation,” meticulously crafted to encapsulate the project's very spirit.

Clocking in at a bold four minutes, this video is no mere accessory to the music – oh no! It elevates the songs to a whole new dimension, marrying visuals and sound in a kaleidoscope of expression. Picture this: you're whisked away on an audiovisual odyssey, immersed in a panorama brimming with aural and visual wonders. Could you ask for more from a music video? Sure you could, but Razed by Rebels have got you covered. And let's not forget that this is no amateur student project: we're talking seasoned pros wielding RED shooting technology to deliver a breathtaking spectacle.

What's more, this music escapade was honored with the Best Visual Design award at the 2019 Audio Shoot International Music Video & Film Festival. Can you imagine it? A crew of music lovers in Leinster, Ireland, settling in and reveling in the talent that Razed by Rebels have shipped all the way from the USA.

Now, who says we don't need more daring music videos? We're thirsting for more audacity, more creativity, more risks in this realm. So here's to Razed by Rebels, pushing the envelope, and creating something daringly different. If this is the dawn of their musical journey, we can hardly wait for the noon!

AN AMERICAN IN EUROPE
JOHNNY VONNEUMANN, TOM GRUENBERG

"An American in Europe," directed by the talented Johnny Vonneumann, takes us on a mesmerizing journey through the vibrant history and culture of Europe. The film weaves a kaleidoscopic narrative using archival footage captured during a 5-week trip through multiple European countries, accompanied by Johann Strauss' The Blue Danube Waltz, providing a captivating musical spine to the romance.

While the film's approach to storytelling is undeniably unique and innovative, some viewers might have desired a higher level of cinematographic quality. However, this minor flaw is compensated by the masterful editing and montage techniques employed by Vonneumann. The film is a true testament to his artistry and vision as a filmmaker.

Breaking away from conventional filmmaking, Vonneumann artfully assembles footage and then searches for the perfect musical score, resulting in a genre he dubs "The Documentary Opera." Each frame is a composition in itself, skillfully layered with dissolves, fades, and intricate use of opacity and color. The absence of special effects highlights the sheer brilliance and creativity behind this cinematic experience.

At the heart of the film is an American tourist, whose journey becomes a window into America's core beliefs, culture, dance, elegance, grit, ethics, joy, and art. These elements beautifully intertwine with Europe's complex culture and vast history, leading to a profound love affair with the continent.

"An American in Europe" captures the essence of both continents' histories and cultural exchanges, revealing how Europe's history ultimately became the bedrock for The American Dream. The film's experimental style pushes the boundaries of conventional storytelling, creating a captivating visual symphony that resonates with audiences.

In conclusion, "An American in Europe" is a cinematic love affair with history and culture, skillfully presented through an innovative approach to filmmaking. While some may have hoped for higher cinematographic quality, the film compensates with its exceptional editing and montage techniques. Johnny Vonneumann's vision and passion for storytelling shine through, making this a must-watch experience. If you seek a mesmerizing exploration of intertwined histories and a celebration of the beauty of art, "An American in Europe" will leave you spellbound.

BROKEN STREAKS
ARTURO NUÑEZ

Fasten your seatbelts, folks, as we swerve into the action-packed journey that is "Rachas Rotas." Directed by Arturo Nunez, this thriller takes us to a roadside car wash, transforming a typical setting into a stage for money laundering, kidnapping, and plenty of laughs along the way. We follow the lives of Pedro, Pepe, and Paco, three employees whose lives intersect with the underworld on a predictably rainy day, blurring the lines between the ordinary and extraordinary.

These characters, each embodying a blend of humor and complexity, unravel a narrative that spotlights the patterns we fall into in life and how they can be irreversibly broken. From Paco's introverted convictions to Pepe's lazy resourcefulness and Pedro's desperate attempts to ascend social ladders, every character interaction adds a layer of intrigue to the narrative. The visual atmosphere of "Rachas Rotas" paints a grimy canvas of confined spaces and desolate circumstances, punctuated by careful editing that elevates the narrative from a slow simmer to a rapid boil.

In conclusion, "Rachas Rotas" is a thrilling roller coaster that intertwines dark humor and intense suspense, escalating from tranquil beginnings to a crescendo of tension and violence. It's an unconventional cinematic gem that redefines the way you look at car washes. So, dive in, and be ready for a whirlwind of emotions.

DISSOCIATING VULNERABILITY
NOBUO NAKAGAWA

"Dissociating Vulnerability," directed by Nobuo Nakagawa, is a gut-wrenching cinematic exploration of grief, loss, and identity, brilliantly cloaked in the narrative threads of psychological thriller and heartfelt drama. The phantom presence that haunts our protagonist, Shinya, masterfully portrayed by Yuki Yamazaki, serves as the film's spine, tethering us to the visceral reality of the unseen.

The film is a visual masterstroke, with Nakagawa using the camera as a brush to paint the poignant isolation of Shinya, demonstrating a keen eye for the aesthetics of loneliness. The film's mise-en-scène is a character in itself, enhancing the story with a delicacy that contributes to the sense of the unseen.

Despite the pacing sometimes resembling a contemplative stroll rather than a sprint, the film never loses its grip. The superb performances and Nakagawa's adept direction keep us anchored. "Dissociating Vulnerability" is a film that leaves a mark, not just through its profound exploration of the human condition, but also by its brilliant and innovative use of the cinematic medium. It might not be the perfect film, but it is a daring and bold ride that demands your attention. This piece by Nakagawa further cements his position as a director to watch.

Be prepared to be moved, to think, and to be captivated. "Dissociating Vulnerability" isn't a casual watch; it's a cinematic experience that stays with you long after the credits roll.

F-STOPS
JEFF BASSETTI

Steeped in a brazenly audacious spirit, Jeff Bassetti's latest work is a love letter to the unfiltered, guerilla essence of indie filmmaking. If Quentin Tarantino's early films and Kathryn Bigelow's intensity had a cinematic offspring, this no-budget road-trip crime-spree movie might just be it.

Jeff Bassetti, with his expansive experience and a portfolio showcasing involvement in blockbuster titles, brings a certain professional polish to this gritty endeavor. Yet, it's his indie spirit that reigns supreme, marking him as a risk-taking director unafraid of straying from the beaten path.

What is immediately striking about the film is its conceptual brilliance: the seamless merging of fiction and reality as filmmakers, aiming for authenticity, turn into genuine criminals. The blurring of these lines challenges the viewer to grapple with the porous borders of fiction, a philosophical puzzle akin to the worlds conjured by Oliver Stone in "Natural Born Killers" or Spike Jonze in "Adaptation."

One of the film's crowning achievements is its breakneck pacing. Although the second act takes its time, it’s far from a hindrance, allowing the audience to marinate in the film's thematic depth and adding layers to its rich characters. The slower pacing here doesn't compromise the movie's kinetic energy but rather serves as a suspenseful calm before the storm of the third act.

The film's kinky aesthetic gives it an edge that is both transgressive and fascinating, a perfect match for the daring narrative it attempts to weave. It's audacious, and it knows it, gleefully teetering on the brink of self-indulgence but never quite tipping over. It evokes the gonzo writings of Hunter S. Thompson, but with a singular voice that establishes Bassetti as a force to be reckoned with.

Bassetti's film isn't just an exercise in storytelling; it's a cinematic adventure that thrills and provokes in equal measure. It's daring yet meticulously crafted, freewheeling but not reckless. While it flirts with imperfection, these minor flaws hardly detract from the sheer joy of the ride.

In conclusion, "No Budget, No Problem" is an exhilarating, one-of-a-kind film that sets Jeff Bassetti apart as a fearless and innovative storyteller. It's a must-watch for those who appreciate cinema that is willing to push boundaries, ask questions, and most importantly, entertain.

GO FOOL YOURSELF
​MARCO FELIPE ROSSI

Strap in and tighten your seatbelts, folks! Marco Felipe Rossi is back at it again, throwing us headlong into an ego-fueled rollercoaster ride of three pals in his latest flick. Sure, they start off with an entrepreneurial idea worthy of a standing ovation at their University. But plot twist! Their professor doesn't just give them a grade; he wants to hook them up with an investor. Just when you think things are taking a turn for the better, our trio's oversized egos crash the party, rekindling old beef and pushing each one into a mad scramble for personal gain. Rossi sure knows how to spin a tale that messes with our perception of reality, landing us smack dab in the middle of emotional hot water we never saw coming!

And boy, does Rossi's "emotional impact first" directing style shine in this one! His characters don't just pop up on the screen; they burst forth, dragging us into the thick of their squabbles and forcing us to feel every bit of the intensity. Rossi's not just about making movies here; he's an artisan crafting films that slap speakers and screens with hard-hitting social, emotional, and psychological human drama. His aim? To show us that we're often the architects of our own problems, more than we'd like to admit. In his world, every action is a choice, and we might choose differently if we could just wriggle free from the stranglehold of our own thoughts and beliefs. Now that's some food for thought, folks!

In the end, Rossi's latest venture is a thrilling drama that serves up a healthy dose of reality, punctuated with ego clashes and intense emotional encounters. It's a thrilling 15-minute 58-second ride that leaves you questioning your own choices and wondering just how responsible you really are for your own problems. So, whether you're watching it from Brazil or anywhere else in the world, buckle up for a wild ride that's sure to leave a lasting impression!

HARD SIDE OF MIRACLES
JOHN FORNOF, JUSTIN MANNTAI

"Hard Side of Miracles" delivers an impactful and moving cinematic experience. This 10-minute drama, originating from the United States, skillfully showcases profound human emotions, pushing the boundaries of short film storytelling.

Nato Jacobson, in the role of Steve, delivers a monumental performance that stands as a high watermark for this year. His portrayal embodies a multitude of emotions, capturing the audience's attention with a depth that's truly impressive. His rendition is not only a masterclass in character immersion but also serves as a testament to his phenomenal acting prowess.

Lorenzo Silva, portraying Clarence Dupree, offers an extraordinary performance reminiscent of Leonardo DiCaprio's iconic role in "What's Eating Gilbert Grape". Silva's embodiment of his character's nuances is both sincere and evocative, contributing significantly to the film's emotional landscape.

The film's thesis – the enduring presence of individuals in our memory, regardless of their physical absence – is artfully interwoven throughout the narrative. "Hard Side of Miracles" does not merely present this concept; it embeds it in the viewer's psyche through poignant storytelling and character development.

In conclusion, "Hard Side of Miracles" stands as a compelling testament to the power of short film. It boasts outstanding performances and a poignant message, delivering an emotional resonance that reverberates long after the final scene. This is a film that demands attention and warrants high praise.

I'M NOT GAY
NATHAN SHORT

"I'm Not Gay" directed by Nathan Short is a compelling narrative that experiments with a fusion of documentary, musical, and a coming-of-age drama. It traverses the arduous journey of a conflicted gay man grappling with his identity and the trials of adulthood. The narrative pivots around him introspecting on his past experiences and confronting the realities of his present life, offering a compelling exploration of masculinity and power within the setting of contemporary Australia.

Through his vibrant narrative style, Short has successfully crafted an immersive discourse on the human experience that is intended to bridge the understanding gap between the gay and straight communities. The film's rich tapestry of conversations and interviews throughout its runtime further accentuates this discourse.

Short's journey as a filmmaker is laudable, from his humble beginnings as a videographer, choreographer, and musician to spearheading a project as ambitious as this one. He not only penned the narrative but composed, choreographed, shot, edited, and produced this uniquely Australian film over a span of three years. This dedication is apparent in the nuances of the film and the emotional depth that it brings out.

"I'm Not Gay" has been recognized in various international film festivals, from the PRIDE Queer Film Festival in Perth, Australia to the Global Indie Film Fest in Glasgow, United Kingdom, demonstrating the global reach and resonance of its themes. The film has also been nominated for various awards, including Best Queer Film and Best Feature Documentary, highlighting the impact of the film within the global film community.

As a first-time filmmaker, Nathan Short's work on "I'm Not Gay" stands as a testament to his multifaceted talent and profound dedication to creating a dialogue around vital social issues. His approach to filmmaking, combined with the emotional depth and societal relevance of his narrative, marks Short as a director to watch in the future.

LOCKDOWN DIARIES
JEFF ZORRILLA, NATALIA CORTESI

"Lockdown Diaries," by American-born, Argentina-based filmmaker Jeff Zorrilla, is an enthralling, daring, and yet meticulous exploration of life in the midst of the global pandemic. With echoes of pioneers of experimental film such as Stan Brakhage and Maya Deren, Zorrilla's bold stylistic choices underscore the innovative spirit of his work.

Shot over a year and a half, the film unravels as a deeply personal visual diary. Through the layering and juxtaposition of images, colors, and lights, Zorrilla embraces a collage-style approach to his narrative, an aesthetic that effectively mirrors the multifaceted and fragmented experience of living through a lockdown. Each frame, infused with the nostalgic texture of 16mm film, serves as a snapshot into his world, oscillating between the mundane and the profound, the real and the surreal.

While the film is rooted in Zorrilla's personal experiences and fears, it also manages to resonate with the broader, universal experience of disillusionment and change during these unprecedented times. It captures, in a way that is at once chaotic and intimate, a journey of transformation and adaptation. From the initial uncertainty of March 2020 to existential crises and finally culminating in radical life changes, Zorrilla's diary reflects the collective human experience as much as his own.

Despite the inherent risk of such an avant-garde approach, Zorrilla's execution is sharp and intentional. The film doesn't merely observe its subjects but rather delves into them, peeling back layers of the human psyche and emotions. It's an immersive experience that encourages the audience to reflect on their own pandemic-induced anxieties and transformations.

NOT TO FORGET
VALERIO ZANOLI

"Not to Forget" stands as a testament to Valerio Zanoli's nuanced mastery of filmmaking. With an assembly of Academy Award winners at his disposal, Zanoli weaves a tapestry of emotional resonance that is both deeply moving and surprisingly entertaining.

The narrative is a tightrope walk, balancing humor, pathos, and intrigue, all under the looming shadow of Alzheimer's disease. The trajectory of the story is set against the backdrop of a treasure hunt, but the true treasure here lies in Zanoli's exploration of human relationships, moral ambiguity, and the transformative power of love.

The mise-en-scène, from the vintage grandeur of the grandmother's home to the nondescript trappings of the millennial protagonist's life, is cleverly used to underline the stark contrast between their worlds. This aesthetic discrepancy is further heightened through color grading, amplifying the emotional states of the characters, adding another layer of depth to the narrative.

Every actor in the ensemble shines in their respective roles. Karen Grassle delivers an evocative performance as an Alzheimer's-stricken grandmother, her demeanor alternating between vulnerability and stoic resolve, masterfully straddling the emotional spectrum. Her nuanced portrayal of the debilitating disease and its impact on her life and relationships serves as a poignant reminder of the realities faced by millions worldwide.

The self-obsessed millennial, forced into the role of caregiver, is a wonderfully flawed protagonist. His initial reluctance and eventual transformation is subtly played out through a well-structured character arc, a narrative trajectory that is skillfully executed, giving room for depth and growth.

The editing provides a seamless rhythm, aligning perfectly with the emotional beats of the story, while the music score works as an emotional punctuation, accentuating the drama, the humor, and the melancholy.

Zanoli's choice of using close-ups, particularly in emotionally charged scenes, intensifies the sense of intimacy and connection with the characters. His expertise in narrative pacing, expertly unfolding the story, maintains the viewer's engagement without compromising on the depth of character development or narrative coherence.

In conclusion, "Not to Forget" is a cinematic triumph, a delicate blend of emotive storytelling, impeccable performances, and an insightful exploration of Alzheimer's. It serves as a commendable addition to Zanoli's ever-expanding body of work, proving once again that his directorial prowess knows no bounds.

READING AND OTHER VICES
ARIANA BERENSON

In "Reading & Other Vices," Ariana Berenson skillfully invites us into the delightfully quirky universe of a book club designed to help its main character, a sardonic young woman, grow as an individual. Contrary to initial impressions, this isn't just a tale of reading and transformation but an exploration of character complexity and human vulnerabilities—wrapped in a whimsical, comedic package.

While it’s tempting to liken Berenson’s work to TV hits like "The White Lotus," her short film manages to carve out its own unique space. This directorial accomplishment is particularly impressive when one considers the condensed runtime, which Berenson uses to flesh out a complete, emotionally resonant narrative.

Where "The White Lotus" thrives in a serialized format, providing ample time to unravel its characters' intricacies, "Reading & Other Vices" showcases Berenson's ability to deliver a poignant story in a tight, impactful timeframe. In this sense, she could be compared to directors like Greta Gerwig or Taika Waititi, who also excel in character-driven storytelling that fuses comedy and drama, while efficiently using every minute to its fullest.

Berenson's storytelling is both heartfelt and intelligent, weaving situational humor with emotionally grounded moments. It’s a blend that's reminiscent of the themes explored by the Duffer Brothers in "Stranger Things," where complex relationships and individual growth are narrated in a context that is entertaining yet introspective.

In conclusion, "Reading & Other Vices" is more than just a short film; it's a delightful narrative experience that brings us closer to its well-drawn characters even in its brief span. The film serves as a testament to Ariana Berenson's directorial flair and her talent for blending comedy and vulnerability in a compelling narrative package. With this work, she establishes herself as a filmmaker of note, and we eagerly await her future projects. There's a sense that she has only scratched the surface of her storytelling potential, and the future looks incredibly promising.

SALVAR
SANGWOOK AHN

In "Salvar," Sangwook Ahn leads us through a compelling tale that revolves around a young man's anguished search for his missing mother. Guided to a shrine and met by a mysterious shaman, he learns of a malevolent spirit haunting him, necessitating an urgent exorcism. Little does he know, this ceremony is but a threshold to darker realms of experience.

Ahn's directorial prowess beckons comparisons to South Korean film giants like Park Chan-wook. Like Chan-wook, Ahn has a knack for plumbing the depths of human psychology while unearthing the darker, grittier corners of our soul. This narrative strategy ensures that "Salvar" leaves an indelible impression, haunting viewers well after the screen goes dark.

The performances in "Salvar" are riveting, embodying a level of authenticity that significantly elevates the film. The protagonist's emotional turmoil is portrayed with such depth that it resonates on an almost visceral level with the audience. Additionally, the enigmatic shaman adds layers of tension and foreshadowing, enriching the already complex narrative.

Ahn's visual storytelling is a highlight of the film. His careful choice of framing and camera work accentuates the suspenseful atmosphere, maintaining a pacing that keeps viewers captivated from start to finish. It's an impressive feat that adds significant emotional weight to the unfolding drama.

What sets "Salvar" apart is its fearless commitment to tackling life's darker themes head-on. The film challenges viewers with its unnerving and provocative subject matter, leaving us with a disquieting sense of the desperate lengths people might go to when faced with extreme adversity.

In conclusion, "Salvar" is a compelling, haunting short film that serves as a testament to Sangwook Ahn's directorial skill and vision. Evoking the storytelling acumen of eminent filmmakers, Ahn crafts a narrative teeming with raw emotion and psychological intensity. Between the potent performances, thoughtful framing, and tightly controlled pacing, "Salvar" grips its audience, demanding emotional and intellectual engagement. This is cinema that not only entertains but also forces us to ponder the darker aspects of human nature and the difficult choices we make when desperation sets in.

SHE DREAMT ALONE
NINA MCNEELY

In the enchanting sphere of dance, an evocative short story unravels, breathed into life by the kinetic poetry of the human form. Our protagonist, a young outlier, has tasted life's nectar from a cup markedly distinct from her peers. Perceived through a lens unlike that of others, her heart remained invulnerable to conventional delights; her dreams were spun in the loom of solitude.

The puppeteer choreographing this mesmerizing tale of rhythm and movement is Nina McNeely. Her role is not simply that of a choreographer, but of a weaver of stories, an agitator of norms, and an explorer of human essence. Commanding an impressive repertoire as a visual artist, director, creative mastermind, and animator, Nina plunges with fervor into the abyss of the human condition. For her, the human silhouette in motion is a language unto itself, articulating thoughts and sentiments that elude verbal expression. She sees the human connection as an explosive force of pure energy, the spark that fuels her creations.

Nina's artistic voice is a fascinating mosaic of raw defiance intertwined with soft charm, a compelling fusion of introspection and audacity. Her singular style embarks on untrodden paths, crafting a universe that magnetically lures you in from the outset. Channeling artistic expression, she gently steers her audience and fellow creators towards their personal truth, embracing the allure of Magick in her creative journey.

Nina McNeely's formidable career is adorned with collaborations with iconic names like Björk, Gaspar Noé, The Weeknd, Rihanna, Foo Fighters, Sam Smith, Alicia Keys, and black midi. She holds her own among the legends, admired for her trailblazing work that dares to defy the conventional and pierces the frontier of the known.

In the world of dance, artistic expression is paramount. This potent medium communicates in a language that reaches the untouched corners of our souls, stirring emotions unknown. As Martha Graham famously remarked, "Dance is the hidden language of the soul," and in Nina McNeely's skilled hands, this language springs to life, sketching a tale that transcends words.

Nina's avant-garde approach to dance gives birth to a universe that is distinctively her own. Each fluid motion, each daring leap, captures the audience, submerging them in an experience that straddles the otherworldly and the intensely human. Her work pushes boundaries, inviting us on an expedition to explore the profound depths of our emotions and decode the unspoken narratives of those we encounter.

In sum, Nina McNeely's narrative expressed through dance is a captivating and transformative journey. Her distinctive vision and pioneering style construct a realm that seizes our attention from the first beat. As a director and choreographer, Nina's work encapsulates the soul's essence, triggering emotions and thoughts that reverberate long after the curtain falls. Bearing witness to her creative genius is an affirmation of the profound depth of dance and her own extraordinary talent. Allow yourself to be swept away by Nina McNeely's dance expression, transported to a realm where motion narrates a story, and dreams are woven into existence through the lyrical language of the human body.

THE DITCH
KIM SAARINEN, P.J. PIIPPO

"The Ditch" is a compelling piece of cinema that finds a way to encapsulate the many complexities of human life in the simplest of actions: digging a ditch. Directed by the Finnish duo Kim Saarinen and P.J. Piippo, the film is a panoramic study of a lifetime of labor and existence, replete with poetic silences and metaphoric resonances that linger long after its viewing.

The directors' collaboration in itself seems a fateful dichotomy, mirroring the film's own exploration of duality. Saarinen, largely recognized for his role as a cinematographer, brings the visual artistry to the table. His frames are laden with meaning, carefully revealing the world in which the characters exist. Piippo, with his rich background in screenwriting and documentaries, offers the much-needed textual depth and reality. It's as if the philosophic sensibilities of Terrence Malick met the humanistic lens of Mike Leigh, resulting in a film that is deeply contemplative yet unapologetically real.

The film suggests parallels with famed directors like Andrei Tarkovsky and his "Stalker." Like Tarkovsky, Saarinen and Piippo are fascinated by the mundane, the ritualistic. Yet, where Tarkovsky brings an air of the mystical, this Finnish duo embraces a terrestrial realm. There's no escaping to a "Zone" here; the ditch itself becomes the eternal zone of existence.

The statement from Saarinen about making a "beautiful story that is still out of reach for everyone" serves as a testament to the film's universality. This is a story without a tight cultural or temporal locus, making it resonate across demographics. On the other hand, Piippo's comment about the film summing up "the whole of human life, its meaning and insanity" is a bold one that the film does not shy away from. It fearlessly probes into existentialism, creating a narrative that is equally cerebral and heartfelt.

In a fashion similar to Richard Linklater's "Boyhood," the film juxtaposes the life cycle from boyhood to old age, using the recurring motif of digging to comment on labor, existence, and meaning. Yet, "The Ditch" trades the specificity of growing up in America for a universal tale. It swaps personal coming-of-age milestones for a broader reflection on life itself.

The pacing of the film might not sit well with everyone, especially those accustomed to quicker, more action-packed storylines. But for those willing to wade through its deliberate rhythms, "The Ditch" is a highly rewarding experience. It is a piece of cinema that does not just tell a story but rather invites its audience to question and ponder, to dig deeper into their understanding of life, labor, and the labyrinthine trenches of existence.

In summary, "The Ditch" is a compelling amalgamation of visual lyricism and textual profundity that challenges the viewer to reflect on the complexities of human life. Its artful narrative, deeply philosophical undertones, and universal appeal make it a noteworthy entry in contemporary cinema.

THE LAST REBEL
NIKO KOSTET

"The Last Rebel" takes us on a journey with Niklas, a young dreamer who finds himself settling for a back seat at the local university instead of pursuing his passion for travel. It is at this mundane place that he meets Patrik, a charismatic rebel leading a group of misfits. Among them is Irina, a fiery and spirited young woman whose heart is torn between the two guys. As this modern-day "Breakfast Club" delves into radical territory, their lives are on a collision course, determining who will emerge as The Last Rebel.

Niko Kostet, the self-taught filmmaker hailing from Turku, Finland, brings his unique vision to life with "The Last Rebel." Through this coming-of-age story, Kostet presents young people as a mirror reflecting both the triumphs and challenges of the world they inhabit. His storytelling shines a light on the complexities of youth, inviting the audience to delve into the characters' emotional journeys.

"The Last Rebel" is a feature film that showcases Kostet's talent for drama and coming-of-age narratives. Despite its independent production with a modest budget, the film stands tall as a testament to the need for more directors like Niko Kostet in the industry. His dedication to independent filmmaking and the passion evident in his work deserve recognition and support, as we are confident he would deliver captivating storytelling even with a bigger budget.

The cast of "The Last Rebel" deserves special praise for their performances. Led by Toni Enholm as Patrik, Paula Kovanen as Irina, and Tommy Johansson as Arto, the actors, though not widely known, bring authenticity and depth to their roles, rivaling the performances of seasoned professionals. Their chemistry and talent elevate the film and make the characters relatable to the audience.

While "The Last Rebel" weaves a compelling narrative, one aspect to improve upon is the second act, which stretches on a bit too long, affecting the overall pacing and leading to a somewhat rushed ending. Despite this minor flaw, the exceptional performances by the cast shine brightly, leaving a lasting impact on the viewers. The genuine emotions conveyed by the actors more than compensate for any pacing hiccups, making "The Last Rebel" a captivating and resonant coming-of-age drama.

In conclusion, "The Last Rebel" is a riveting and emotionally charged coming-of-age drama that reflects the struggles and aspirations of youth. Niko Kostet's directorial flair and the outstanding performances of the cast showcase the potential of independent filmmakers like him. While the film may have some pacing issues, it remains a captivating journey worth watching. "The Last Rebel" invites us to ponder the complexities of youth and the resilience of those who dare to challenge the status quo, making it a memorable cinematic experience.

A SIDE OF RICE
TAMIR MOSCOVICI

In the spellbinding documentary "A Side of Rice," we accompany the compelling voyage of Nick Rice, a venerable titan of both screen and stage, as he readies his autobiographical solo stage performance. Esteemed filmmaker Tamir Moscovici helms this feature-length narrative, descending deep into the labyrinth of Rice's existence to extract the quintessence of his enchanting storytelling, underscored by the poignant themes of sorrow, elation, and the quest for artistic fulfillment.

Tamir Moscovici, revered for his artistic cinematographic sensibility and meticulous eye for detail, stunningly encapsulates the manifold dimensions of Rice's life. The film salutes the transformative power of the documentary genre, spotlighting the extraordinary effect it can render in illustrating the lives of authentic individuals. Rice's unwavering lifelong ardor for narrating stories and performing radiates throughout, as Moscovici deftly stitches together a narrative that stretches across seven decades, capturing the peaks and valleys of the human experience.

In "A Side of Rice," spectators are bestowed with a mesmerizing performance by Nick Rice himself. His solo storytelling show, punctuated by each deliberate sip of water and interwoven with riveting tales and personal anecdotes, leaves audiences applauding and spellbound. Rice's vitality and nimble performing prowess, undiminished despite over forty years in the spotlight, exhibit a talent that has not only endured but matured and deepened with time. His narratives, which oscillate between jubilation and tragedy, are relayed with a precise equilibrium of sentiment, wit, and palpable humanity.

The film plunges into the depths of Rice's history, scrutinizing his bond with his mother, Merle, and the impactful void left by his father's absence. Themes of fatherhood, motherhood, and parenting are skillfully interlaced with wit and profundity, delivering a poignant and emotionally riveting experience.

Although "A Side of Rice" loosely orbits around themes of parenthood, the absence of a central narrative or character development doesn't diminish the film's potency. On the contrary, it permits Rice's narrative genius to occupy the limelight, enveloping spectators in a stirring and genuine depiction of his life.

In essence, "A Side of Rice" is a potent and mesmerizing documentary that underscores the allure and importance of storytelling. Tamir Moscovici's masterful direction amplifies Nick Rice's performance, crafting a gripping and emotionally charged human portrait. The film does not merely invite us to discover the fascinating life of Nick Rice, but also plunges us into the core of the human condition. Whether you cherish the craft of storytelling or are simply drawn to intriguing life journeys, "A Side of Rice" is an indispensable watch. Be prepared to be moved, entertained, and enlightened by the bewitching power of Nick Rice's storytelling and the skilled execution of Tamir Moscovici.

ANNIE PANNIE
JOHNNY VONNEUMANN, TOM GRUENBERG

In "Annie Pannie," director Deanna Dewey masterfully weaves a tale of revenge and mystery that is reminiscent of the Coen Brothers' highly-acclaimed film, "No Country for Old Men." Despite the starkly different narrative environments, both pieces utilize a subtle, slow-burn narrative style that draws audiences in, capturing their attention until the very end.

The sense of isolation and impending danger in "Annie Pannie" echoes the tense atmosphere of "No Country for Old Men." Dewey, much like the Coen Brothers, employs her setting not merely as a backdrop, but as an integral part of the story, enhancing the characters' emotional journeys. The rundown motel in "Annie Pannie" sets the stage for a thrilling tale of revenge, just as the desolate Texas landscape in "No Country for Old Men" paints an ominous picture of a deadly cat-and-mouse game.

Dewey's characterization of Kikki is remarkably well-developed and adds depth to the narrative. Much like Llewelyn Moss in "No Country for Old Men," Kikki exists on the margins of society, driven by a sense of justice and revenge. Both characters are flawed yet relatable, and their choices set the stage for an engaging and unpredictable narrative.

Critics might argue that the dialogue in "Annie Pannie" feels robotic at times. However, much like the idiosyncratic dialogue in Coen Brothers' films, it adds a layer of surrealism to the narrative. The seemingly detached exchanges between characters add an aura of unease, pulling viewers deeper into the story's suspenseful world.

The pacing in "Annie Pannie," while deliberate, effectively builds tension and anticipation. The slow unraveling of the plot mimics the Coen Brothers' renowned style of slow-burn suspense, keeping the audience at the edge of their seats, wondering what lurks around the next corner.

Dewey's distinctive use of cinematography, particularly the handheld shots, create an intimate, realistic atmosphere. This choice parallels the Coen Brothers' use of specific, thoughtfully composed shots to immerse the viewer fully in their narrative world. Both directors display a knack for translating complex emotions and themes into visual form, a testament to their artistic prowess.

In conclusion, Deanna Dewey's "Annie Pannie" is a powerful, engaging film that pays homage to some of the best suspense narratives in cinema, yet stands firmly on its own merits. Dewey's ability to craft a captivating narrative, enriched by complex characters and atmospheric cinematography, is a testament to her talent and vision as a filmmaker. Like the best suspense films, "Annie Pannie" lingers long after the credits roll, a testament to the masterful storytelling and artistry of its director.

DANNY'S RED BOX
ARTURO NUÑEZ

Nestled in a bustling London suburb, we meet Danny, a man whose life has dramatically shifted from the world of bookmaking to the comforting aroma of coffee as a barista. Directed by Michael Slowe, "Danny's Red Box" provides an intimate portrait of Danny, offering us not only a look into his current livelihood but also a compelling commentary on the complexities of everyday life.

"Danny's Red Box" stands as a tribute to the transformative potential of documentary filmmaking. Michael Slowe masterfully joins the ranks of esteemed documentarians who have illuminated the unscripted dramas that unfold daily in ordinary settings. His sensitive and insightful filmic approach renders these everyday experiences as nothing short of extraordinary.

One of the standout elements in "Danny's Red Box" is the organic storytelling. Slowe manifests his directorial flair by making even the most routine aspects of Danny's life seem noteworthy. Through his lens, viewers are granted intimate access to Danny's world—a realm of daily triumphs and struggles that exudes a quiet kind of heroism.

Beyond the narrative of Danny's life, the documentary also serves as a poignant lens through which broader societal themes come into focus. It quietly prompts viewers to consider the myriad untold stories that lie behind each face we casually pass on the street, stories often laden with their own challenges, victories, and aspirations.

The film brings to mind the famous words of documentary pioneer D.A. Pennebaker: "The power of documentary filmmaking lies in its ability to capture the truth and portray reality in all its complexities." In "Danny's Red Box," Michael Slowe does precisely this, framing both truth and complexity with a compassionate touch.

In conclusion, "Danny's Red Box" is a compelling documentary that beckons viewers to find the remarkable in the seemingly unremarkable. Slowe's skillful direction elevates what could be a simple chronicle into a nuanced tapestry of human resilience and complexity. This is a must-see for anyone captivated by the transformative power of documentary cinema to illuminate the multifaceted stories that make up our communal existence. Don't miss this deep dive into one man's ordinary yet extraordinary life; "Danny's Red Box" serves as both an homage to the art of documentary filmmaking and an ode to the human spirit.

ELECTION NIGHT
PETER ZERZAN

"Election Night," directed by Peter Zurzan, is an insightful exploration into the world of political campaigns, weaving together the narratives of two organizers - a seasoned veteran, Barbara, played by Sam Jackson, and a rookie, Mahoney, portrayed by Brennan Pickman-Thoon. Over an 8-minute-53-second runtime, it unfolds in the backdrop of the 2018 Election Night, shedding light on the psyche, dedication, hopes, and fears of those who dedicate their lives to political change.

The short film ingeniously encapsulates the contrast between the jaded pragmatism of the experienced and the cautious optimism of the newcomer. As they navigate the pressures and unpredictability of Election Night, their shared experience becomes a metaphor for the political process - a mixture of hope, despair, and relentless dedication to making a difference.

Zurzan's narrative style is both profound and relatable. It's a dialogue-driven narrative shot within a single room, underpinning the characters' isolation from the outside world, as they grapple with their inner turmoil and anxieties about the election's outcome. Jackson and Pickman-Thoon's performances, imbued with sincerity and conviction, further enhance the narrative, bringing depth and authenticity to their respective characters.

"Election Night" does not merely aim to recreate the 2018 midterms but seeks to delve deeper into the human side of politics, drawing attention to the sheer tenacity and resilience it takes to keep campaigning despite past losses and uncertainties. It subtly yet effectively comments on the political flux, highlighting the inevitable transitions in government leadership and their implications.

First-time filmmaker Zurzan has crafted a short film that is both simple and potent, foregrounding character development and narrative premise over grandeur and spectacle. The underlying message of the film – the relentless fight of campaigners who continuously advocate for the people, akin to Stacy Abrams, is timely and resonates with the socio-political climate, especially given the backdrop of the intense 2020 US presidential election.

Ultimately, "Election Night" serves as an homage to those unsung heroes of political campaigns, their sacrifices, and their undying commitment to instigate change. It is a testament to their strength and the indomitable spirit of hope that they embody, making the election result satisfying, and bringing the story to a fulfilling conclusion.

FUTUREWORLD
CHRISTOPHER ANGUS

"Futureworld," directed by Christopher Angus, is an absolute delight for the eyes and the mind! This short animated film takes us on a whimsical and wacky tour of a world brimming with mind-boggling technological advancements, showcasing the transformative influence of tech on human lives.

With vibrant animation and an unflinching attention to detail, Angus concocts a vivid, comical realm that would make any sci-fi enthusiast giddy with excitement. His ability to intertwine humor and pathos in a tech-saturated world is nothing short of genius. We are privy to a planet where the boundaries between humans and machines blur, but never fear, dear viewers, the choice to embrace or resist is ours!

The film's quirky characters - Rhonda Kennedy-Rogers and Scott Moat - bring the animated world to life. They navigate through this funhouse mirror reflection of our potential future with heart, spunk, and just the right dose of absurdity. Their adventures, trials, and triumphs in this brave new world are both hilarious and thought-provoking.

The cherry on top is the stunning original score by Paul Shrofel, which harmonizes perfectly with the film's tone and narrative. It guides us through the film, turning this 7-minute joyride into a symphony of sights and sounds.

In a nutshell, "Futureworld" is an uproarious, imaginative romp through the fun and folly of future technology. Whether you're a tech geek, an animation lover, or just in the mood for something different and entertaining, this short film will serve up a delightful platter of giggles and grins!

GRETEL REDUX
THOMAS MUSCHITZ, JAMES BARANY

"Gretel Redux," the recent reinterpretation of the dark fable "Gretel," is a product of the longstanding partnership between Thomas Muschitz and James Barany, creative collaborators since their student days at the Milwaukee Institute of Art & Design. This time around, they present us with a psychological tale set against a vast and threatening wilderness, a story of survival and madness, echoed by two young children's struggle.

The sound design in this film is nothing short of extraordinary. It crafts an atmosphere of tension and danger, amplifying the inherent darkness of the narrative and heightening the audience's emotional investment. The animated style of the film, brought to life through rotoscoping, is both original and inventive. This stylistic choice imparts an otherworldly quality to the landscape and the characters, giving the narrative an additional layer of depth.

However, the film isn't without its faults. At times, it suffers from a lack of pace, the narrative slowing almost to a standstill, threatening to disengage the viewer. But the film compensates for this with a cryptic, filmic narrative, its dark undercurrents reminiscent of David Lynch's trademark style.

In their unapologetic creation, Muschitz and Barany draw us into a world of fear and disorientation, a wilderness not just of nature but of the mind. Their work is a testament to their creative passion and serves as a compelling addition to the canon of dark animated tales. Despite its pacing issues, "Gretel Redux" succeeds in leaving an indelible mark on its viewers, thanks to its powerful sound design, unique animation style, and intriguing narrative.

HOLDING THESE MOMENTS
DAN ELSWICK, RICARDO COZZOLINO

"Holding These Moments" is a deeply moving exploration of the power of music, community, and authenticity. The film documents the final U.S. tour of BANE, a renowned hardcore/punk band, turning what could have been a simple music documentary into a profound meditation on life, art, and the unbreakable bond of community. Director Dan Elswick provides a sincere and genuine portrayal of the band, capturing the intense passion, camaraderie, and commitment to their craft that has won them an enduring fan base.

Through the film's sincere interviews and raw concert footage, we are made privy to the inner workings of the band and their immense impact on their fans. The honesty of the band's struggles and their determination to stay true to themselves adds a compelling layer to the film.

"Holding These Moments" stands as an ode to the indomitable spirit of musicians and the deep connection they can foster within their community. It's a must-watch for all music enthusiasts and those who appreciate art created with sincerity and passion. The film is a stirring reminder of the power of music and community, highlighting the essence of the hardcore/punk scene and its enduring influence.

KOH PHANGAN MAN
DEWEY PAUL MOFFIT, MOE TAYLOR

“Koh Phangan Man” is a stirring homage to the spirit of creativity, community, and the transformative power of art. The documentary film is the brainchild of the multi-faceted artist, Dewey Paul Moffitt, who is no stranger to the exhilarating world of music, arts, and festival organization.

Moffitt, who wears many hats as the director, writer, and producer of the film, draws upon his vast artistic experience to deliver a compelling narrative. He guides us through the life and vision of Mark Phinney, a Burning Man organizer, who embarks on an ambitious journey to establish an international burn in the exotic locale of Thailand.

The filmmaker’s seasoned insight into the festival scene and his adept storytelling abilities illuminate Phinney’s journey. But the film isn’t just about Phinney; it is equally about a dedicated group of organizers whose lives are significantly touched and altered by their association with him. The commendable key cast, including Karl-Ole Myrvang, Melody Hidalgo, Grace Farrelly, Robert Louthan, and Gabrielle Leon, breathes life into this cadre of individuals.

“Koh Phangan Man” is a celebration of community and human connection, driven by Moffitt’s deft direction and cinematography. Initially tasked with filming b-roll for another project, he found himself so inspired by Phinney’s endeavor that he decided to pivot his focus entirely. The resulting film stands as a testament to Moffitt’s ability to adapt, seize opportunities, and tell stories that matter.

Assisting Moffitt behind the scenes are producers Moe Taylor and Alan Schroeder, who have successfully transferred their expertise from previous projects like “As Organism, The Importance of Strange Perceptions, Gelker in the Treehouse” to this film.

Moffitt’s personal philosophy, deeply rooted in Taoism, Buddhism, and Toltec wisdom, underpins the entire film. His nomadic lifestyle, evident in his adventures across Mexico and participation in the vibrant Riviera Maya art communities, fuels his passion and creativity.

In conclusion, “Koh Phangan Man” is an inspiring testament to Moffitt's undeniable talent. It artfully combines his unique experiences and artistic prowess to create an unforgettable cinematic experience. His unwavering dedication to his craft, vividly captured in this film, stands as an inspiration for all aspiring artists.

LOVE IN VAIN
RUDY STRUKOFF

Rudy Strukoff is a creative force to be reckoned with, especially considering his work as a musician and filmmaker. His expansive background in music, from learning the guitar in 1992 to becoming a touring musician, is impressive. His dedication to the craft is evident in the fact that he has been performing "Love in Vain," the first song he learned on guitar, for nearly three decades.

The personal connection Rudy has to the song he uses in "Love in Vain," adds an emotional depth to the film. The use of a track that he recorded for his wife on their 10th wedding anniversary provides the film with a deeply personal layer that reverberates through the visuals and narrative.

As a filmmaker, Rudy exhibits a strong ability to weave a narrative together using compelling visual elements. From the striking colors of the desert skies to the dramatic image of the woman in red, he crafts a distinct visual identity for his film.

The directorial choices he made, such as utilizing drone footage and time-lapse sequences, show his innovative spirit and ability to incorporate modern filmmaking techniques. The use of birds and the time-lapse cloud footage add an element of surrealism to the film, making for a captivating viewing experience.

However, as mentioned earlier, there may be some areas for improvement. It's noted that there were some issues with the photography and editing. These areas are important to address, as they can greatly impact the overall quality of the film. With more practice and perhaps some professional guidance, Rudy can certainly refine these aspects of his filmmaking.

Additionally, the challenges he faced in controlling the light and managing shooting schedules for exterior shots suggest that with more planning and experience, these hurdles can be overcome to ensure a more seamless filming process.

Influenced by iconic music videos and films, Rudy brings a nostalgic yet refreshing approach to his film. His clear references to works such as Chris Isaak's "Wicked Game" video and Hitchcock's classics add depth to the project, showing his deep understanding and appreciation of the craft.

All in all, Rudy Strukoff's "Love in Vain" is an admirable testament to his multifaceted talents as a musician and filmmaker. It may have some room for improvement, but it undeniably reflects his passion for storytelling through music and visuals. His journey as an artist is a testament to his dedication to his craft, highlighting the potential for his future endeavors.

QUEEN OF THE DEAD
DEANNA DEWEY

"Queen of the Dead," from the maestro of mayhem Justin Head, is a masterclass in cultist horror that'll leave you grinning and shivering in equal measure! Just like a twisted game of cat-and-mouse, this film propels us into a thrilling chase, where an unsuspecting female author finds herself the desired object of a creepy cult's affections. Oh, they want more than just a signed copy of her latest book - they want her to lead them!

Head's lifelong romance with horror is splashed all over this delightfully devilish piece. The influences of the Universal Studios monster movies are palpable in every frame - the eerie atmosphere, the tasteful thrills, the tongue-in-cheek terror. And boy, does he know how to turn up the terror!

Our lead, played with verve by Trista Robinson, transforms her retreat into a game of survival against Father Alan Powell, portrayed with a wicked charm by Greg Standifer. Together, their performances inject this dark tale with a delicious sense of humor. The strange dance between them oscillates between chilling and chucklesome, and it's as entertaining as it is unsettling.

Shot in a potent mix of black and white and color, "Renaissance" is a visual feast that adds a layer of vintage charm to the grisly proceedings. The aspect ratio of 4:3 further gives the film a nostalgic edge that's like catnip to classic horror aficionados.

The best part? This madcap horror ride clocks in at just over 37 minutes, making it a quick and punchy viewing experience. You'll be left breathless, slightly uneasy, and definitely begging for more. To put it plainly, "Renaissance" is a wildly thrilling expedition into the classic universe of horror. In this strange ballet, cult followers, writers, and a wicked sense of humor harmoniously intertwine, crafting a remarkably twisted tale. So, brace yourself, aficionados of fright - this cinematic delight promises a truly spine-chilling adventure!

ROBERTA LANE
DARREN PERRY

In "Roberta Lane," Darren J. Perry weaves a gripping narrative of secrets and silence, ensnaring us in the complex world of the eponymous Roberta Lane. Perry proves that the realm beyond "the other side of the wall" is a landscape rife with intrigue, making this short film an atmospheric triumph.

Although constrained by a 10-minute runtime, "Roberta Lane" is nothing short of impactful. Perry's direction exhibits a flair for nuance, ensuring that each actor delivers a performance imbued with a compelling authenticity. Lewis Jamison, in the role of David, stands out for his remarkably stirring portrayal.

Visually, "Roberta Lane" is a treat for the senses, harmoniously balancing vintage allure with modern cinematic techniques. Employing a digital format, Perry enhances the film's vivid colors, and the use of a 16:9 aspect ratio adds a contemporary edge to its classical aesthetic. These stylistic elements serve to heighten the film's underlying sense of uncertainty.

Further elevating the narrative is the film's extraordinary soundtrack. Its haunting melodies serve as more than mere background music, extending the narrative dimensions and adding emotional weight to the story. Perry's astute selection of music guides the viewer through an emotional maze, augmenting the overall experience.

In conclusion, "Roberta Lane" is a bold and intriguing short film that beckons audiences to delve deeper than what meets the eye. By juxtaposing overt and hidden elements, Perry crafts a layered narrative that continues to resonate after the film's conclusion. With this piece, he demonstrates his prowess in storytelling, combining auditory and visual elements to create an immersive experience that shouldn't be missed. Given the deft touch shown here, it's clear that Darren J. Perry is a filmmaker with a distinct voice, one that audiences will undoubtedly hear more from in the future.

SHADOWS IN THE BOX
EMMANUEL VAINTINO, MARTIN DI FELICIANTONIO

"Shadows in the Box" presents an intricate tapestry that carefully intertwines the life and vision of the enigmatic street photographer, Thomas Clark. Directed by Paris-born New Yorker Vaintino, this work is a refreshingly audacious exploration of Clark's life and craft, unapologetically straying from the frequently followed conventions of biographical documentaries.

The documentary takes a deep dive into the genesis of Clark's career, ignited by a modest gift of an eight-millimeter camera from his mother at the tender age of eleven. We follow his trajectory from the culturally iconic streets of his St. Albans home to the vibrant bustling borders of Nepal and India over forty years later. As we journey through his artistic evolution, we witness an uncanny ability to capture still images in motion, forming a patchwork quilt of the various cities, from New York to Warsaw, that his lens has graced.

The film is permeated with the essence of Clark's foundational belief—that these myriad faces, encounters, scenes, and places were invisibly linked by a fundamental force, love. The camera, as he honed his skills, became less of a tool and more of an extension of his mind, heart, and soul. It served as a conduit through which he sought to capture the ethereal beauty of life's canvas. To the untrained eye, this magic remained invisible, a mystery yet to be unraveled, but not to Mr. Clark, who perceived there was no mystery for the awakened eye that could truly see. Instead, there was an unfolding discovery, resonating through what he referred to as "Silent Rhythms."

The documentary’s narrative, far from being a monotonous recounting of the facts of Clark's life, takes the form of a vibrant dialogue, enlivened by conversations with fellow artists and photographer friends such as Peter Hill and Stanley Greene. It even includes a stimulating discussion with the legendary Robert Frank on one of Clark's essays on Off Track Betting, immersing the viewer in the world of photography and the minds that shape it.

Vaintino's bold and innovative approach to documenting Clark's life allows him to emerge from the obscurity in which he has spent much of his career. It paints a vivid portrait of a man whose work, until now, has been consigned to the shadows. Far from a simplistic tribute, "Shadows in the Box" becomes a touching testament to Clark's unwavering dedication to his craft, his love for the artform and the people he encountered in the process.

In essence, "Shadows in the Box" is more than a documentary; it is an intricate character study and a poignant exploration of Clark's life and work. The film's lens sharply focuses on the idiosyncrasies and nuances that make up the artist, bringing them into the light for us to witness, learn, and appreciate. It serves as a mirror, reflecting the trials and tribulations, the dedication and the passion, the unseen corners of a journey that have thus far been left untold. The documentary is a profound testament to one man's quest for aesthetic, narrated in his own words, tracing his artistic journey that has spanned over half a century.

In conclusion, Vaintino's “Shadows in the Box” is a nuanced and deeply insightful exploration of Thomas Clark's life and legacy. It does not merely document an artist’s life; instead, it invites the viewer to partake in an existential journey, a visual symphony that paints a raw, heartfelt, and intimate portrait of a man who dedicated his life to capturing the beauty around him. It is an audacious and courageous venture, a testament to the power of love and passion, and an inspiration to artists and audiences alike.

STILL I REACH FOR YOU
VICTOR A. JANUSZ

"Still I Reach For You," set in Seattle in 2018, tells a compelling story of loss, memory, and acceptance. Helmed by the multi-disciplined Victor Janusz, who not only directs but also stars and composes the original score, the film bears the mark of a true auteur. Victor's performance is raw and vulnerable, embodying the spirit of a man haunted by the ghost of his life partner, who tragically fell victim to 'the Plague' of 1993.

The dialogue flows naturally, never forced, but always potent, reflecting the inherent talent of the seasoned artist that is Janusz. Janusz's past as a Singer-Songwriter/Pianist gives the film a distinctive sonic quality. The original score is as much a character in the film as any person, setting the tone for the narrative and intensifying its emotional impact.

The supporting cast, including Ryan Higgins and Kathy Hsieh, deliver remarkable performances, breathing life into their characters and complementing Victor's portrayal seamlessly. Each character interaction adds another layer to the narrative, painting a vivid picture of love, loss, and the lingering ties that bind us to the past.

Filmmaker Victor Janusz has found a beautiful yet haunting cinematic language to reflect on the AIDS crisis' deep personal and communal impact. The film functions as a poignant tribute to all those affected, ensuring their stories are not forgotten. The sincere storytelling in "Still I Reach For You" shines through, making it a poignant cinematic experience that leaves viewers moved and introspective.

THE EVE
LUCA MACHNICH

In "THE EVE," we are introduced to Simon, an eight-year-old boy who seemingly has everything in life - looks, wealth, and privilege. However, underneath the facade of a perfect life, Simon is deeply unhappy, sensing that there's something wrong with the materialistic world he inhabits. His fervid imagination leads him to dream of escaping to Santa Claus's fairyland toy factory, yearning to leave the materialistic world behind. But as Christmas approaches, a long-kept family secret surfaces, and the anticipation of the stroke of midnight becomes tinged with fear of something terrible that might happen.

Directed by Luca Machnich, a grandnephew of one of Italy's movie pioneers, "THE EVE" showcases his passion for film and storytelling, enriched by his heritage. Machnich's directorial vision echoes the style of great American thriller writer Robert Bloch, Italian fantasy writer Dino Buzzati, and American fantasy fiction writer Henry James. The film combines macabre irony, a longing for the transcendent, and psychological narration, creating a unique blend that explores the purity and fantasy of a child's world disrupted by the cynicism of adults.

Filmed in a distinct and evocative 16mm style, "THE EVE" immerses the audience in the dreamlike and imaginative world of Simon. The film's visual language adds depth to the story, further enhancing the emotional journey of its characters.

While "THE EVE" has achieved recognition in more than 300 festivals, there are areas that could be improved, particularly in the direction of the actors during certain moments where they momentarily disconnect from the film's narrative. However, these moments are balanced by other shining moments of brilliance in the performances, capturing the essence of the characters and their inner struggles.

In conclusion, "THE EVE" is a captivating Christmas fantasy that invites us into a world of imagination, mystery, and redemption. Luca Machnich's directorial flair and rich storytelling pay homage to the great masters of fantasy and psychological fiction. While the film may have minor imperfections, its unique visual style and compelling narrative make it a memorable and enchanting cinematic experience. "THE EVE" stands as a testament to the power of imagination and the complexities of the human psyche, leaving audiences with a haunting and thought-provoking tale of the unexpected on the night before Christmas.

WHERE IS MY SONG
JOHN LOCKMER, JUSTIN MANNTAI

"Where is My Song", under the direction of John Lockmer, is a remarkable and daring exploration of the musical genre in a short film format. It's a unique piece that navigates social themes with the tenacity and resonance of grand musicals like "Les Misérables." Despite a budget that would seem restrictive, Lockmer and producer Justin Manntai have forged a powerful narrative that punches well above its weight class.

At the center of this ambitious project is Lindsey Newell, who stars as Joanna. Newell's performance is an impressive tour de force, demonstrating the breadth and depth of her acting and singing prowess. Her character resonates on multiple levels, pulling the audience into her world with a magnetic performance that lingers long after the credits roll.

Carlos Padilla Jr. and Linzi Fenix complement Newell's performance, each contributing key elements to this musical short. Their performances, along with Newell's, construct a vibrant tableau, turning the modest production into a cinematic experience that feels larger than life.

The film also shines due to its strong screenplay, penned by Lockmer and Hunter Cline. The writing provides a solid foundation that allows the film's musical and narrative elements to intertwine seamlessly.

"Where is My Song" is a testament to what can be achieved with a clear vision, a dedicated cast, and an uncompromising commitment to storytelling. Premiering at the 168 Film Festival in Fayetteville, GA in November 2022, this short film is a must-see for fans of the musical genre and meaningful cinema alike.

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